Celebrating Scholarship

Vassar Grants in Action highlights and celebrates the grant funding, principal investigators, and project leadership that enrich faculty research and scholarship, institutional programs and priorities, and the student experience at Vassar.

Photographic diptych with two headshots.

Terrence Cullen, Visiting Assistant Professor, and Rupinder Kaur, Assistant Professor—both from French and Francophone Studies—received an Albertine Cinémathèque Festival Grant for Vassar’s 2025–2026 French film festival. Organized around the theme of “art and artifice,” the festival will introduce students and the community to French cinema and create opportunities for intellectual exchange.

April Beisaw

April M. Beisaw, Professor of Anthropology, is co-author of The Archaeology of American Protests, published in 2025 by University Press of Florida, that explores American protest history across four centuries to illustrate how ideals such as equality, prosperity, and self-determination have been challenged and negotiated through protest, connecting today’s protest movements to those that came long before.

Photo portrait of someone standing in front of a stone wall.

Yvonne Elet was awarded the Elizabeth Blair Macdougall Book Award from the Society of Architectural Historians for her book Urban Landscape in the Third Rome: Raphael’s Villa and Mussolini’s Forum, which explores the twentieth-century recreation of the “Renaissance” gardens of Villa Madama, planned by Raphael, and “details how the restored villa came to be integrated into one of the most significant urban initiatives of the 20-year Fascist rule.”

Photo portrait of Michael Reyes Salas.

Michael Reyes Salas, Assistant Professor of Africana Studies, has received fellowships from the Institute for Citizens & Scholars and Camargo Foundation in support of his book project Fragments of Carceral Memory. This comparative visual and literary study examines French Antillean-Guianese, Puerto Rican, and Northern Irish photo-texts—books straddling serial photography and writing to create narratives—of prison ruins in order to interrogate why we make museums out of prisons.

Exciting News from the Vassar Grants Office

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