Upcoming Events

Oil portrait of a seated man in a gray shirt, rendered with layered, textured marks.

In The Patient Looks Back: Portraits of My Therapist, Catskill-based painter Joyce Polance reverses therapy’s usual direction of attention by turning the patient’s gaze toward the therapist. Painted in oil entirely with her fingers, the three-year series moves between likeness and disruption, testing how much close looking can—and cannot—reveal.

Five musicians, three holding string instruments, arranged against a black background.

Music from Paris: Vassar faculty members—Marka Young, violin; Liuh-Wen Ting, viola; Iva Casian-Lakos, cello; Marija Ilić, piano; and Alan Hankers, electronics—perform works by Kaija Saariaho and Gabriel Fauré.

This event is free and open to the public.

John Murphy and Ruby Funfrock stand in the Loeb's Print study room, with prints on the shelf behind them.

Join us as we mark the closing weekend of A Living Legacy: Gifts from Lynn Gross Straus with a program featuring three generations of scholars who have been impacted by Lynn's generosity: Elizabeth Prelinger, Professor Emeritus of Art History at Georgetown University; John Murphy, the Philip and Lynn Straus Curator of Prints and Drawings at the Loeb; and Ruby Funfrock, Vassar Class of 2024 and former Loeb curatorial student assistant.

This event is free and open to the public.

Four members of the True North Jazz Project sit on a couch in front of a graffiti-covered wall, with one holding a soprano saxophone.

The True North Jazz Project performs original music, jazz standards, world music, and unique interpretations of pop and rock tunes. Featuring Joe North, saxophone; Ryan Cerullo, piano; Buddy Griffith, bass; and Ryan Odell, drums.

This event is free and open to the public.

Four members of the Jupiter String Quartet pose with two violins, a viola and a cello.

The Jupiter String Quartet performs works by Clarice Assad, Alban Berg, Juri Seo and Franz Schubert.

This event is free and open to the public.

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The programs and content presented at Vassar and The Vassar Institute for the Liberal Arts do not necessarily represent the opinions of Vassar College or The Vassar Institute.