What is CAAD?
Creative Arts Across Disciplines (CAAD) began at Vassar College as a Mellon Foundation-funded initiative. Through partnerships with other initiatives, programs, departments, and projects, CAAD continues to serve as an experimental laboratory for trying out new models of research, pedagogy, practice, and community engagement that foreground critical making and doing as complementary activities to critical thinking.
Goals that have persisted from the grant include:
- Fostering opportunities for boundary-crossing artistic discovery and creation
- Broadening collaboration within the arts, as well as between the arts and other disciplines
- Enhancing the impact and curricular tie-ins of visiting artist programs
- Deepening the engagement of Vassar students across the curriculum with methods and ideas from the arts
Through a generous donation by Henry Wendt III and Holly P. Wendt ’57, CAAD provides summer program opportunities for students to work together on creative research projects.
Since 2017, CAAD has partnered with the Music Department to produce MODfest.
From Requiem to Solace: Artwork Inspired by the Ashokan Reservoir. Artist Kate McGloughlin will speak about how the devastation endured by her ancestors during the creation of the Ashokan Reservoir influences and inspires her work. Sponsored by Late Night at the Loeb and the Consortium on Forced Migration, Displacement, and Education.
Vassar Repertory Dance Theatre performs works selected from the current repertory by faculty, students, and guest choreographers, including a special appearance by the Heidi Latsky Dance Company. Tickets are free but must be reserved.
Welcome to Indian Country is an evening-length celebration of Native culture through music and storytelling. A world-class, five-piece musical ensemble is joined by storyteller and Washington State Poet Laureate Rena Priest. Together they weave new compositions and songs with witty, wise, and poignant poetry and satire to honor the elders and ancestors.
Hailed as a ‘personable polymath’ in the London Times, Bill Barclay ’03 is a director, composer, writer, and producer. He joins us to discuss his work Le Chevalier, a full-length play detailing Joseph Bologne, Chevalier de Saint-Georges’ true friendships with Mozart and Marie Antoinette, and his unknown contribution to the abolishment of slavery.
Join visiting artists and members of our campus and local communities for a conversation about Indigenous arts, land acknowledgments, and more.