Emeriti

Peipei Qiu, PhD

Professor Emerita of Chinese and Japanese
(1994–2025)
Peipei Qiu wearing a burgundy shirt and jacket.

Peipei Qiu, Professor Emerita of Chinese and Japanese on the Louise Boyd Dale and Alfred Lichtenstein Chair, joined the Vassar faculty in 1994 after two years of teaching at Fordham University. During her tenure at Vassar, she has served as the Advisor to Class of 2021, Chair of the Department of Chinese and Japanese, and Director of Asian Studies Program. She earned her BA and MA from Peking University and M.Phil. and PhD from Columbia University.

A specialist in Japanese literature, Professor Qiu taught a diverse array of courses in Japanese and Chinese literature, Asian Studies, Women's Studies, and Japanese language. Her research interests include Japanese poetry, comparative studies of Japanese and Chinese literature, Daoist tradition in East Asian literature, the reception history of Daoist philosophy, and women in East Asian literature and societies.

Professor Qiu has received many prestigious honors and awards, including National Endowment for the Humanities Fellowship, Mellon Foundation Grant, The Japan Society for the Promotion of Science Fellowship, The Japan Foundation Dissertation Research Fellowship, Columbia University President’s Fellowship, and The Japan Foundation Fellowship for Researchers. Her scholarship has been published in English, Chinese, and Japanese, including books, Bashō and the Dao: The Zhuangzi and the Transformation of Haikai (University of Hawai'i Press, 2005), the award winning Chinese Comfort Women: Testimonies from Imperial Japan’s Sex Slaves (University of British Columbia Press, 2013; Oxford University Press, 2014; Hong Kong University Press, 2014), 《日本帝國的性奴隸: 中國「慰安婦」的證言》(Hong Kong University Press, 2017; China Social Science Press, 2018), and numerous research articles. Professor Qiu's work has garnered international attention and has been featured by major media outlets such as the BBC, The Wall Street Journal, Voice of America, and China Daily, among others.

Contact: peqiu@vassar.edu

Selected Research Articles

  • “Why I Write About War”, “Chinese ‘Comfort Women’,” in Barbara Mujica, ed., Collateral Damage: Women who Write about War. The University of Virginia Press, 2021. 30-43.
  • “From Kuang 狂to Fukyō 風狂: Eccentric Personas in Chinese and Japanese Poetry,” in Qian Nanxiu, Ricard J. Smith, and Zhang Bowei, eds., Rethinking the Sinosphere: Poetics, Aesthetics and Identity Formation. New York: Cambria Press, 2020. 96–135.
  • “Documenting War Atrocities Against Women: Newly Discovered Japanese Military Files in Jilin Provincial Archives,” in Pyong Gap Min, Thomas R. Chung, and Sejung Sage Yim, eds., The Transnational Redress Movement for the Victims of Japanese Military Sexual Slavery, Berlin, Deutschland: De Gruyter, 2020. 271–293.
  • 构建超越民族国家的历史记忆—美国“慰安妇”纪念碑运动调查, in Riben qinhua Nanjing datusha yanjiu, 2019, Vol. 4, 14–26.
  • “‘Comfort Women’ and Aggressive War: Reading Korean and Chinese Survivor’s Accounts.” S/N Korea Humanities, Volume 3, No. 1, March 2017, 69–89.
  • “The Zhuangzi, Haikai, and the Poetry of Bashō,” in Daoism in Japan: Chinese Traditions and Their Influence on Japanese Religious Culture. (New York: Routledge, 2015). 179–208.
  • “Celebrating Kyō: The Eccentricity of Bashō and Nampo,” in Early Modern Japan: An Interdisciplinary Journal, Volume XVI (2008). 84–91.
  • “Reinventing the Landscape: The Zhuangzi and the Geographical Imagination of Bashō,” in Eleanor Kerkham, ed. Haikai Intersections: Exploring Matsuo Bashō’s Poetic Spaces. (Palgrave Press, 2006). 66–71.
  • “The Changing Views of the Zhuangzi in Kagami Shikō’s Haikai Theory,” in Japan Studies Review, Volume X (2006), pp. 3–17.
  • “Aesthetic of Unconventionality: Fūryū in Ikkyū’s Poetry,” in Japanese Language and Literature, 35 (2001) 2: 135–156.
  • “Onitsura’s Makoto and the Daoist Concept of the Natural,” Philosophy East & West 51 (July 2001) 3: 232–246.
  • “Bashō’s Fūryū and the Aesthetic of Shōyōyū: Poetics of Eccentricity and Unconventionality,” Japan Studies Review (May 2001) 5: 1–36.
  • “Inventing the New Through the Old: The Essence of Haikai and the Zhuangzi,” Early Modern Japan IX (Spring, 2001) 1: 2–18.
  • 俳諧の確立と荘子―日本詩歌古典重視の伝統の観点からの分析, monograph in Bulletin for Japanese Studies) 20 (February, 2000): 261–291.
  • “Adaptation and Transformation: A Study of Taoist Influence on Early Seventeenth Century Haikai,” in Amy V. Heinrich, ed., Currents in Japanese Culture. New York: Columbia University Press, 1997. 185–203.
  • 浅谈「雪国」 (A Study of Kawabata Yasunari’s Snow Country), 日本文學 (Journal of Japanese Literature) 3 (1982): 284–294.
  • 森欧外小说的思想矛盾记艺术特色 (A Study of Mori Ogai’s Novels), 國外文學 (Journal of Foreign Literature) 1 (1982): 51–79.
  • 森鸥外的早期创作 (The Early Works of Mori Ogai), 亚非问题研究 (Journal of Asian and African studies) 1 (1981): 49–54.

In the Media

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Peipei Qiu wearing a burgundy shirt and jacket.
Credit
Mike Okoniewski/Vassar College