Jonathan Chenette Dean of the Faculty and Professor of Music
Jonathan Chenette’s compositions have received international recognition, including performances on the ISCM World Music Days in Amsterdam, at the World Harp Congress in Vienna, at the Bishop Auckland Early Music Festival in the U.K., and on an NPR national broadcast by the St. Paul Chamber Orchestra. His music appears in publications by Boosey & Hawkes, Theodore Presser, and Fish Creek Music and in recordings on the Innova, Riverrun, Fleur de Son Classics, and Capstone labels. Much of his music has involved collaborations with visual artists, writers, dancers, folk musicians, farmers, environmental advocates, and museums. A graduate of the University of Chicago with a PhD in music composition and a bachelor’s degree in mathematics, Chenette also holds a master’s degree in music composition from Butler University. He became Dean of the Faculty and Professor of Music at Vassar College in 2008, served a semester as Acting President in 2013, and Interim President in 2016-2017. Previously, he held an endowed professorship and appointment as Associate Dean at Grinnell College in Iowa. He is the recipient of grants or fellowships from the MacDowell Colony, the Iowa Arts Council, the American Music Center, Meet the Composer, and the Rockefeller Foundation’s Bellagio Center in Bellagio, Italy.
- BA, University of Chicago; MM, Butler University; PhD, University of Chicago
- At Vassar since 2008
Research and Academic Interests
Departments and Programs
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Jonathan L. Chenette is Dean of the Faculty and Professor of Music. Before he came to Vassar in July 2008 he was Associate Dean and Blanche Johnson Professor of Music at Grinnell College.
A graduate of the University of Chicago with a PhD in music composition and a bachelor’s degree in mathematics, he also holds a master’s degree in music composition from Butler University. His music often focuses on relationships between people and the land, particularly in the context of the prairie Midwest where he enjoyed a twenty-five year career. His compositions have involved collaborations with writers, dancers, folk musicians, farmers, visual artists, and museums as well as performing ensembles including the St. Paul Chamber Orchestra, the Netherlands Radio Chamber Orchestra, the Murasaki Duo, Red Cedar Chamber Music, Chatter, and Virelai.
Broken Ground, composed in collaboration with six Iowa poets, premiered in a concert of the Des Moines Symphony broadcast statewide over Iowa Public Television as part of Iowa’s sesquicentennial in 1996. Other major works include the opera Eric Hermannson’s Soul (1993), the song cycle Oh Millersville! (1990), the September 11 memorial composition Elegy and Affirmation (2002), and the orchestral works Chamber Symphony for 31 Instruments (1983), Triple Feature (1994), and Rural Symphony (2000). Recent works include an orchestral fantasy on the tune Macapay (2008) for the Latin American duo Calle Sur, Frolics (2007) for oboe and English horn, Grandmother’s Hymnal (2008) setting words by Vermont poet Sydney Lea, and Onomatopoeia (2010) based on a 60-foot-long scroll painting by Santa Fe artist Signe Stuart.
In higher education, Chenette has addressed national conferences on topics pertaining to place-based education and enhancement of teaching and learning with media technologies. His musical projects have received support through grants or fellowships from the MacDowell Colony, the Iowa Arts Council, the American Music Center, the American Composers Forum, and Meet the Composer. His compositions are available on CD’s from Boosey & Hawkes, Capstone, Fleur de Son Classics, Innova, and Riverrun labels and in publications from Boosey & Hawkes, Theodore Presser, and Fish Creek Music.
Chenette is married to Jeanmarie Kern Chenette, harpist and music educator, who teaches at SUNY-Dutchess Community College. They have three children: Timothy, a Kenyon College graduate pursuing a doctorate in music theory at Indiana University, Nathan, a Harvey Mudd College graduate pursuing a doctorate in mathematics at Georgia Tech, and Claire, an Oberlin double degree (Conservatory & College) graduate pursuing a composer-performer master’s degree at CalArts.