Guide to the Bannon McHenry-James Merrill Collection, 1964-2001
Table of Contents
- Collection Summary
- Biographical Note
- Scope and Content Note
- Subject Headings
- Related Material
- Administrative Information
- Access and Use
- Encoding Information
- Series List
- Container List
|Repository:||Archives and Special Collections Library, Vassar College Libraries|
|Creator:||McHenry, Bannon, 1930-|
|Title:||Bannon McHenry-James Merrill Collection|
|Quantity:||.5 cubic feet (1 box, 1 portfolio, 1 oversized folder)|
|Abstract:||The Bannon McHenry-James Merrill Collection contains materials pertaining to poet James Merrill, collected by his friend and neighbor, Bannon McHenry (Vassar Class of 1952). The collection contains correspondence, ephemera, photographs, printed material, and writings of James Merrill.|
|Forms of Materials:||correspondence, broadsides, ephemera, photographs, printed material|
James Merrill was recognized as one of the leading poets of his generation. Born in 1926 in New York City, Merrill won nearly every major literary award in America: two National Book Awards, one for Nights and Days (1966), and one for Mirabell: Books of Numbers (1978); the National Book Critics Circle Award for his Ouija-inspired long poem The Changing Light at Sandover (1982); and the inaugural Bobbitt National Prize for Poetry by the Library of Congress for The Inner Room (1988). He also received both the Bollingen Prize in Poetry and the Pulitzer Prize for Divine Comedies (1976). James Merrill died of a heart attack in 1995 while vacationing in Tucson, Arizona.
Bannon McHenry was born in Baltimore in 1930. She attended the Bryn Mawr School and then Vassar College, graduating from the latter institution in 1952. Bannon McHenry’s intellectual interests focused on art, and she pursued a career as an art historian, teacher, and journalist based in New York. For many years McHenry lived at 164 East 72nd Street, the same building as James Merrill, who had inherited an apartment in the building from his grandmother. McHenry and Merrill became friends, and McHenry collected materials relating to Merrill’s life and work. Merrill gave several of his publications to McHenry, many containting inscriptions to her. McHenry acquired other materials pertaining to Merrill from dealers, bookshops, or other sources.Top
Scope and Content Note
The collection includes correspondence, ephemera, photographs, printed material, and writings of James Merrill collected by Merrill's friend and neighbor, Bannon McHenry.Top
Access and Use
This collection is open for research according to the regulations of the Vassar College Archives and Special Collections Library without any additional restrictions.
Restrictions on Use
Permission to quote (publish) from unpublished or previously published material must be obtained as described in the regulations of the Vassar College Archives and Special Collections Library.
- See the Bannon McHenry-James Merrill Collection in Vassar’s Rare Book Collection for books included in this gift:
- Hagstrom, Jack.
- Hooten, Peter.
- Jackson, David, 1922-.
- McHenry, Bannon.
- Merrill, James, 1926-1995.
- Ray, Kevin.
- American literature--20th century.
- American poetry--20th century.
- Broadsides--United States--20th century.
- Ouija boards.
- New York (N.Y.).
- Stonington (Conn.).
Encoded by Mark Seidl, January 2019.Top
Bannon McHenry-James Merrill Collection, Archives and Special Collections Library, Vassar College Libraries.
Processed by Janine St. Germain, September-October 2019.
Gift of Bannon McHenry, 2017.
Series I. Correspondence, approximately 1980-2001,
|This series is divided into three subseries: Letters to Bannon McHenry, Letters from James Merrill, and Letters to James Merrill. Crrespondents include Jack Hagstom, Peter Hooton, Robert Hughes, and Kevin Ray.|
Series II. Notes and Ephemera, undated
|This series consists of a recipe and other ephemera and hand-writen material.|
Series III. Photographs, approximately 1971-2000
|This series consists of publicity and portrait photographs of James Merrill, as well as photos of James Merrill and David Jackson.|
Series IV. Printed Material, approximately 1971-2000
|This series consists of reviews, publicity materials, programs and other printed matter pertaining to James Merrill's works and events in his honor.|
Series V. Writings, 1981-1988
|This series consists of writing by James Merrill, including drafts and copies with annotations by Merrill.|
Letters to Bannon McHenry
|1.1||Hagstrom, Jack, 2001 December|
|1.2||Hooten, Peter, undated|
|1.3||Hooten, Peter, 1999 December|
Letters from James Merrill
|1.4||to Hughes, Robert, 1980|
|1.5||to McHenry, Bannon, approximately 1980|
|1.6||to McHenry, Bannon, 1988|
Letters to James Merrill
|1.7||Ray, Kevin, 1994 September 16|
|1.8||Illustrated envelopes, 1991|
|1.9||Real estate flyer, 72nd Street duplex, undated|
|1.11||James Merrill Memorial Service, Stonington, CT, 2000 December|
|1.12||James Merrill portrait, photograph of painting by Bruce Hafley, undated|
|1.13||James Merrill portrait, by Tom Victor, 1971 (signed by James Merrill)|
|1.14||James Merrill portrait, approximately 1986|
|1.15||James Merrill and David Jackson at Ouija Board, by Harrison Pemberton, 1990|
|1.16||James Merrill and Peter Hooten, 1985, 1994|
|1.17||James Merrill publicity photograph, by Rollie McKenna, undated|
|1.18||Snapshots of James Merrill, bronze bust, approximately 1980|
|1.19||James Merrill at piano, undated|
|1.20||Blank postcards, printed with photographic images by James Merrill, undated|
|1.21||Book review, The First Nine: Poems, 1946-1976, New Yorker, 1984 May 21|
|Portfolio||Book review, A Scattering of Salts, New York Review of Books, 1995 May 11|
|Portfolio||Flyer, Academy of American Poets, at The Guggenheim Museum, James Merrill reading, 1999 December 1|
|1.22||Flyer, Voices from Sandover publicity, undated|
|1.23||Invitation, The Academy of American Poets, Voices from Sandover, 1989 May|
|1.24||Invitation, Marie Bullock Poetry Reading, New York University, 1992 September 30|
|1.25||Invitation, National Arts Club, The Bait and the Image Maker, 1988 November 19|
|1.26||Invitation, Philip Taaffe, Rebecca Camhi Gallery, 1998 April|
|1.27||Merrill Memorial, Amherst College, 2001 April 12|
|Portfolio||Merrill Memorial, Amherst College, 2004 April 32-24 (2 programs, 2 keepsakes, chronology)|
|1.28||Merrill Memorial, The New School, 2001 April 10|
|1.29||Merrill Memorial, New York Public Library, 1995 May 13|
|1.30||Merrill Memorial, Stonington, CT, 1995 February|
|1.31||Merrill Memorial, Washington University, St. Louis, MO, 2001 March 22|
|1.32||Newsletter, Envoy, Academy of American Poets, No. 51, 1988|
|1.33||Newsletter, Erato, Harvard College, Spring, No. 4, 1987|
|1.34||Obituary, Harry Ford, New York Times, Grolier Club memorial, program, 1999 April|
|1.35||Obituary, James Merrill, New York Times, 1995 February 7|
|1.36||Pamphlet, Manuscript Collection, Washington University Libraries, 2009 February 3 (with note from Jack Hagstrom)|
|1.47||"164 East 72nd Street," 1988 (signed by James Merrill)|
|Portfolio||"Fort Lauderdale," 1977 (handwritten broadside poem, Folger Poetry Broadside Series|
|1.48||"The Metro," 1981 November 24 (draft with edits, initialed JM)|
|Portfolio||"Palme," 1981 November 24 (proof, James Merrill’s translation, with hand drawn illustration and notation from Bannon McHenry)|
|1.49||"Popular Science Used to Claim…," 1988 (including note to Ted Danforth)|
|Portfolio||"Processional," 1986-1987 (handwritten poem, written on sheet from The Folger Shakespeare Library 1986-87 Evening Poetry Series)|
|Portfolio||"Snapshot of Adam," 1984 November (broadside poem, hand numbered 6 of 60, with large lithograph of seated male nude by Laurence Scott, signed by James Merrill)|
|Portfolio||"Trees Listening to Bach," 1984 (broadside poem, illustration by Lawrence Scott, one of 60 copies)|